We recently released an update to Hooktheory I: Music Theory for Songwriting. It mostly involved format changes and minor copy edits. However, a small section on pedal harmony was removed from the chapter on inverted chords. We thought we’d post this material to our blog for all to benefit from (and so that previous owners of the web version still have access to the content). Enjoy!
Chris Sutton and our friends over at Easy Ear Training have published a great review of our books. You can find Hooktheory I review here and the follow up review of Hooktheory II here. Chris does a good job discussing the concepts that are covered and talking about the type of people that stand to benefit the most from the book:
He writes that “it is essential reading for any musician who wants to grasp music theory in an intuitive way, understand how songs are put together, and start recognising notes and chords by ear. Highly recommended!”
Thanks for the positive and in depth review Chris!
Would a hit song written in a major key still be a hit song if it were written in a minor key instead? You can be the judge.
When an artist begins writing a new song, one of the first choices they must make is whether to write in a major or minor key. Songs in minor have a fundamentally different sound from songs in major.
The internet has been abuzz recently with reports of the deterioration in quality of music. Of particular note: a recent Spanish study which purportedly proved it, scientifically no less.
We want to set the record straight about pop. In this article we’ll respond to some of the common complaints that are being made about popular music and show that, in reality, things just aren’t all that bad.