Artman(Pre-Chorus) Found no good way of including the bass notes and all the chromatic power chords that the guitar plays without making everything look [ ... ]overly complicated. I decided to include the G5 chord and the E in every diatonic chord built on the bass note. Yesterday onSymphony Of Destruction by Megadeth
bobbburke(Outro) I am new to this, so I referred to the analytical work of musicologist, Alan W. Pollack [ ... ](https://www.icce.rug.nl/~soundscapes/DATABASES/AWP/te.shtml). Pollack has analyzed every Beatles tune. My attempt tries to express Pollack's analysis as best I could fit it in Hook Pad. Yesterday on"The End" by The Beatles
Artman(Bridge) Could be convinced either B or D is the tonic here. They each sound resolved in different bars due to the modal interchange. The [ ... ]pentatonic melody in bar 5 and 6 is in B Minor, but the chords in bar 7 and 8 sounds like they want to resolve to D. Yesterday onMilkshake by Kelis
JamesHants(Chorus) This song sounds like it is from 2000 with a refreshing energy of shameless optimism. It's a song that doesn't waste a second getting to [ ... ]the point either, reaching the chorus at the 40 second mark - too many bands seem afraid to take such a direct approach. 2 days ago onEasy by Pale Waves
JamesHants(Pre-Chorus) This song sounds like it is from 2000 with a refreshing energy of shameless optimism. It's a song that doesn't waste a second getting to [ ... ]the point either, reaching the chorus at the 40 second mark - too many bands seem afraid to take such a direct approach. 2 days ago onEasy by Pale Waves
JamesHants(Verse) This song sounds like it is from 2000 with a refreshing energy of shameless optimism. It's a song that doesn't waste a second getting to [ ... ]the point either, reaching the chorus at the 40 second mark - too many bands seem afraid to take such a direct approach. 2 days ago onEasy by Pale Waves